My current exhibition is at Resource for London, 356 Holloway Road, London N7 6PA until 27th March ’18 – exhibition statement below.

“The transparency of the material leads me to look closer, almost searching for and imaginary landscape inside the heart of the ice. I find ice is very similar to other materials I have used in the past like glass, mirror and pulp. When light enters the artwork, it makes the edges more defined and frees the boundaries between artwork and the surrounding space.”

Irma Irsara‘s work is influenced by an interest in environmental issues in a practice that embraces techniques as diverse as fibre art, stained glass bookmaking, print, video and installation. Within the context of the Anthropocene Epoch, where human activity has been the dominant influence in altering the geographical landscape, Irsara contemplates ideas of  symbiosis as a strategy for human survival. The symbiosis of organic materials with the ice is particularly significant. It is the moment when nature takes over and the artist becomes the observer of new forms.

The digital prints on display are a permanent record of the time-based, site-specific installation work created by the artist in 2013/14. This constantly changing and daily-renewed work was produced over a three week period in the former Victorian ice wells at the London Canal Museum, King’s Cross. Working with ice, a material very much associated with the theme of climate change, the work explores natural cycles and outcomes in relation to surrounding conditions and is intended as a starting point for debate. She has a fascination with the medium, from the fusing together of forms to the slow, imperceptible movement of embedded material – bark, melinex, wire lights – as the melting process progresses. She also examines the possibility of producing hollow forms of ice by utilizing the natural freezing process. This is further explored in her more recent time-lapse pieces. Irsara is intrigued by the notion of a precise moment of transformation and change of state.