INTRECIADES at Lanserhaus in Eppan (South Tyrol), Saturday 2 March to Sunday 9 March – work by nine artists from Val Badia.
Video shows my timelapse work CORAL (music Jonathan Lambert), as well as light works using recycled plastics by Cristinarosa Pizzinini and drawings by @ursula Tavella.
Consulta Di Appiano
EPL – Ert por i Ladins ODV
Äres, an exhibition of the work of fourteen women associated with the ladino-speaking area of Val Badia (BZ) in Italy, continues until 6 Aug.
My time-lapse work Metamorphosis which is shown small-scale throughout the exhibition, is also occasionally projected on the exterior of the building.
The soundtrack for the video was created by musician and composer Jonathan Lambert.
Exhibition curated by Gaia Lionello who is also one of the participating artists.
14 artistes dla Val Badia é arjignades y s’inviëia
21 July – 6 August 2023
Ostaria Dessot, Dlijia Vedla, La Val, ITALY
In 2014, I visited a section of canal between Johnson Lock and Limehouse Basin that had been drained to allow specialist bricklayers to repair damage to the canal wall. I was interested in signs of erosion of sand between the bricks at the highest point and was drawn to the idea of the walls of the canal as indicators of changes over time.
In my recent series Water Levels, a selection from of which I’ll be presenting at the Tabernacle Gallery this June, I’ve use mostly flat colours – jade and blues – to give the feeling of expanding lines. I wanted to give to the illusion of looking down and sideways, to create an abstract interpretation of a real view, which considers elements of temperature, time, air and landscape.
Added tension is created through the use of one strong colour – a light reflected, a moment of tension or a fixed point around which changes occur.
PRIVATE VIEW
Wednesday 8 June, 6pm – 9pm
with poetry reading by Frances Presley
Exhibition times
Tuesday 7 June – Sunday 12 June 2022
Opening Hours: Tue to sat: 10am – 9pm, Sunday: 10am – 5pm
Exploring natural rhythms in deconstructed objects.
The natural light plays a big part in the pulp art process. Drying in the open air in the right sunny conditions helps the chemical reaction between pigment and fibre resulting in stronger, high-density colours.
The stronger the natural light and the longer it’s been left to dry, the better it is in terms of the pigment being absorbed by the fibre (usually 3 to 4 weeks).
Mi sembra molto adeguato il ritorno del trittico di Bosch assieme a 19 altri panelli nel suo paese per la mosta a Noordbrabants Museum.
A diciasette anni, frequentando l’Accademia di Urbino, ho scelto di analizzare il Trittico delle Delizie usando le teorie di Pino Parini. Per iniziare si trove il punto dove l’occhio si ferma e da questo si parte per estendere linee dove c’è peso nel colore e forma. Il gioco del triangolo e del quadrato formano con precisione il trittico (proporzioni in perfezione). L’occhio scoperto si estende esponendo simboli alchemici del periodo storico.
Opening of the group exhibition ‘in the open’ this evening, 5.00 – 7.00 pm at Murray Edwards College, Cambridge. pic.twitter.com/72zRJNWQjv
— irma irsara (@irma_irsara) September 1, 2015
I’ll be showing four new pieces at the exhibition ‘in the open’ at Murray Edwards College in Cambridge. The work is a result of a collaboration with poet Frances Presley who’s book Halse for Hazel also features cover image and inside pictures specifically created for the project. The private view is open to all and exhibition runs until 29th September – opening hours 10.00 – 6.00 every day.
Irma Irsara 