It’s important for me to be able to embed lights into the frozen forms. This is a period of experimentation to see how successfully I can do this. The transparency of the material leads me to look closer at it, almost searching for an imaginary landscape inside the heart of the ice. I find ice is very similar to other materials I have used in the past like glass, mirror and pulp. When light enters the artwork it makes the edges more defined and frees the boundaries between artwork and the surrounding space.